More Inspirations

One intriguing aspect of Basquiat's artwork is how he joins smaller drawings together on a larger surface, and then integrates the imagery. Here is an example from the recent show at the Cleveland Museum of Art.

The reflections make it a bit hard to see, but you get the idea. Fabulous!

There is such a multitude of ways to approach art making. I think you know by now how I promote the unique approach each person can take. No one else can tell your story. It's yours to tell, and you have to do it your way.

Sing your own song.

As I mentioned in my last post, I am working on some new pieces that are very different for me. I found an over-sized book at a library sale full of photographs of every day buildings and people from the olden days, all in black and white. I cut out the images that appealed to me for use in my collage work, and I alter them for my own use. I have written about my techniques for integrating found and throw away photographs in to my work in previous blog posts here.

I used an image of an old house for my piece About a Boy: 

Both found and "throw-away"photography are combined and integrated into a larger piece,
About a Boy, Gayle Pritchard 2017.

In the newest piece I am finishing, and which I showed in progress in my last blog post, I used found imagery of a group of children, which have now been sandpapered, hand colored with oil pastels and stitched with other found papers. I love how it's turning out!

Getting My Head Around it



Detail of Gayle's collage, Sacred, in progress

 Something is going on. The ground is shifting. I see it on the faces of the people on the news stories about the Middle East; I see it in my friends faces; I see it in my face when I look in the mirror. For awhile, I just couldn't get my head around it.

As an artist, I have trained myself for decades to try to stay in the moment and to respond to what is in front of me without knowing where the resolution lies. It is part of trusting the process, a deeply personal way of trusting oneself. The way I tap into that part of myself is to just keep working, because much of the creative process involves problem solving, asking the "what if" question, remaining open to the answer. When I am fortunate enough to be fully engrossed in this process, I continue to work on the problem at hand even when I am sleeping. My journal is full of dreamed notations waiting for action.

This is where I find myself right now: working, thinking, dreaming, working. This process has never failed me, and serves as an anchor for me when the ground beneath my feet is shifting.


Detail of Gayle's collage, Lady Blue

 

Detail of Gayle's collage, Blue Landscape

I have spent months feeling blue, discombobulated. Fortunately, my trusty journals remind me that this is also a cyclical part of my process. It doesn't keep me from working, usually, and this is fortunate as well. I am designing like crazy, as I focus with renewed energy on my line of Magic Baby designs.  I hope to start a separate website and blog for that work as soon as I have some time to sit at the computer all day.

I am also itchy to do free painting, so hope to get to that soon. In the meantime, I am finishing up the three collages shown here. I will be offering all of them for sale in my etsy shop as soon as I finish stitching and mounting them. Stitching away by hand, which is what I do most nights, is my preferred form of meditation. My thoughts are freed up while I work to think and dream, to get my head around it.