Ready, Set, Go: Traveling Art Supplies

Here is what I want to bring!
I need to made a new portfolio,
though. My old one, upper left,
is worn out. 

It's time to decide what I can realistically bring with me, and what I cannot. I want to bring my large, daily journal, but it's too big and heavy, so I pulled out the smaller one, shown in the picture at the bottom. Even that one is too thick, and takes up too much room. Instead, I am bringing my "circus" book to use as a daily journal, and for collage. It is an altered book my dear friend Lois gave me years ago, and I have traveled with it previously. Time to finish it. It is the perfect venue for journaling now, since I feel like a plate spinner in the circus!

Now, to make a new portfolio. How, you ask? Decide if you want a square or rectangular one, mark off the dimensions on a nice, thick stock or, as I used, watercolor paper, and grab a metal ruler and a bone folder.

On my hand-painted watercolor paper, I marked a 7" square, then, using a compass (you can use a large bowl, too!), I marked 3.5" scallops. Next, I added lines for an additional 1/4" outside of the 7" square. That gives the portfolio some thickness for holding the papers I will pack.

Mark the dimensions, trim and fold using a
metal ruler and a bone folder. I added a set
of double lines, 1/4" apart, for depth.

You can close this type of portfolio by just overlapping the scallops, but I decided to recycle the tabs and ribbons from my old portfolio and use those. Since I have a grommet tool and a ton of pretty, colored grommets, I pulled those out and picked a pretty blue color to match.

This tool punches and attaches a grommet all at once.
I don't even know where I got it, but have had it
forever. It is a handy-dandy tool!

Squeeze and attach the grommets. Insert knotted ribbons through my hand-painted tabs. Choose loose drawing papers and some collage scraps to put inside. I'm not on vacation; this is a serious, personal trip, and isn't about making art. I'm packing light compared to what I normally would bring.

Hurrah, they all fit!

All set! My selected art supplies and new portfolio of papers all fit in this nifty bag my friend Gail gave to me. That, in turn, will take up little space in my luggage. Sometimes being limited in what you have to use forces creative responses. I'm counting on it!

Sunprinting, Chapter 2

On the left, two sunprinted fabrics; on the right, the same
image on paper.

If you read my last post, you'll see how I used the sun to print the images of my grandmother you see here. Since you can only really see the quality of the printed image after it has completely dried, I waited. It's winter, and my drying rack is next to my furnace, so I didn't have to wait very long! I ironed the fabric and had a look.

The same image printed twice. On the left, no clamped glass was used.

As you can see in the picture, above, I ended up making two prints on fabric. Why? Because I forgot a crucial step in obtaining a crisp print, especially when using transparencies, and especially in the winter: I forgot to cover my fabric with a piece of clear glass clamped in place. The resulting blurry print on the left is blurry, in part, because I failed to clamp the glass on top, making a secure contact print. (It's also blurry because I did not iron the fabric flat enough before printing it.) After it dried, I realized my omission, and immediately reprinted the image, as you see on the right. The result? Even though my fabric is old, when printed correctly, it still gave me a decent print. That has been my experience over the 25 years I have used this process, and is also why I never hesitate to buy yardage when purchasing pre-treated fabrics.

The same image on treated paper.

While I was at it, I grabbed an old but unopened package of treated sunprinting paper I picked up at a recent library sale. These are the Super Sunprint Kits often found in museum stores. I clamped the glass on top of the paper as described in my last post, opened my sliding back door, and let it sit on the threshold dangling over the snow to catch the sun. It was later in the day, and it was dangling, so you can see that there was still some blurring that occurred as a result of the position of the sun and the minor movement of the substrate the paper was clamped onto. I got one very clear print on paper, and the two blurry ones are interesting, and will still be used. You may notice that the print on this text-weight paper is not as dark as on fabric.

The print on the left is on fabric. On the right, is a print
on high quality watercolor paper.

Each surface gives a slightly different effect. Notice how the contrast is increased on the watercolor paper print here. When rinsed, the background reverts to white, and since the image I used had a lot of negative space, it produced a crisp print.

Mother Shrine uses a sunprint.

In Mother Shrine, the cyanotype print on fabric of my mother is also in high contrast. The difference between this one and the watercolor paper print is that the image of my mother is printed on fuschia fabric instead of white or aqua, therefore the contrast is lessened, though the image is still clear.

You may be wondering where the variety of pre-treated fabrics and paper come from. Although you can purchase cyan printing chemicals and treat your papers and fabrics yourself, I have always ordered mine from Blueprint Printables. They have been around longer than anyone else, have consistently high quality products, and great customer service. You can even send them yardage of your own fabrics to treat. Tune in next time to see some examples of that, and about how to turn a cyan print to sepia.

Cyan print on the left; on the right, a cyan print on watercolor
paper turned sepia. It's really easy!

Home is Where the Art Is...uh Heart Is

One of my little collaged paintings

I am on the road tomorrow morning, early. I love beginning a long drive before the sun is fully up, then watching the sky change color as the morning sun emerges onto the landscape.

When I travel, I like to bring along a portable "art kit". I have one my friend Lois made for me. It is currently back at her shop for repair, so frequently have I traveled with it. That little bag, which has a top flap and measures, closed, probably 6" x 9", has been to Mexico six times, all over the west coast of Ireland, the beach in Florida half a dozen times, and numerous other places.

It holds a small watercolor paper block, paintbrushes with built in water containers, transfer pens, collage papers, drawing pencils, a small tin of watercolor crayons, small pair of scissors, a pencil sharpener, small pieces of fine sandpaper stapled to a piece of matboard, a wax resist crayon, small container of "yes!" glue, and several other things I can't remember without my list.

Oil pastel and watercolor collage, sketched while sitting on a beach in Mexico

Yes, I have a list. I teach a class called Trains, Planes and Automobiles: Techniques for Traveling Collage, so I really need to practice what I preach. Be prepared for art. Any place, anytime. I encourage my students to plan ahead for creative work while traveling, and to make a list of their favorite art supplies, so they can figure out a way to travel with at least some of them. As for me, I try not to go anywhere without a least a journal and some collage materials. I am a "found object" junkie. Often, bits of ephermera I find during my travels go directly onto a matboard collage surface, or into a composition in one of my journals.

My favorite journal, which is all but full, is one I handmade years ago. It has a hand bound Japanese stab stitch binding, is thick and full of a great weight cardstock. It is full of writings, collage, and on-the-fly experiments, like, what would happen if I iron this photo transfer onto that oil pastel covered photograph? Cool! It works!!

I covered the open spine with folded playing cards prior to stitching the covers in place. In addition to being colorful and pretty to look at, they serve as spacers for the journal pages. That way, when I want to add junk I find that has some dimension to is, it doesn't prevent the journal from still laying flat.

So these are my thoughts on this Monday, my birthday, as I plan for a road trip. Plan to make art this week!