Showing posts with label Stocker Center art gallery. Show all posts
Showing posts with label Stocker Center art gallery. Show all posts

Thursday, March 5, 2020

Women in Conversation: Celebrate the Women in Your Life


Women in Conversation Make and Take
participant created a souvenir accordian-fold mini-
journal. The event took place before the amazing
play at Stocker Center, Ain't I a Woman.
Last night's Women in Conversation artist Make and Take event took place at the Stocker Center Studio Theater before the Diane Monroe play, Ain't I a Woman featuring the amazing Core Ensemble musicians and the actress Shinnerrie Jackson (an Oberlin Conservatory graduate.)

UPCOMING: If you missed out, you can join us in the gallery this coming Friday night (March 6) from 6 - 9 p.m. Jill Milenski, Gail Crum and Gayle Pritchard, the artists of Women in Conversation, will be onsite during the Stocker Center Film Series. The movie Station Agent screens at 7:30, so come to the gallery to see the show, do our Scavenger Hunt, and create a Make and Take, all before going to the screening. After the movie, come on back up to the gallery. We'll be there to welcome you, and to continue the conversation.

The Women in Conversation opening reception on Friday, February 28th was amazing, with fabulous food, live music, and a crowd of people eager to see what the three of us have been up to.

Jill Milenski, Gail Crum and Gayle Pritchard at the opening reception for
their exhibition, Women in ConversationPhotograph courtesy of Steve Sefchik.
As you can imagine, putting together artwork for an exhibition is labor intensive. The three of us, my  art group, meet every week, virtually without exception. For more than a year, we have worked with intensity and focus in preparation for Women in Conversation. The Beth K. Stocker gallery is a huge space, and we were all afraid we wouldn't have enough work finished. Not to fear! We delivered a ton of artwork to gallery director Beth Bryan, and she in turn did a magnificent job installing the show.

Four wonderful artworks by Gail Crum from
Women in Conversation, February 28 - April 2.
To showcase our assemblage work properly, dozens of pedestals were put into service. These were placed along the walls in the center of the gallery strategically, highlighting all the work around them. This was essential for Jill's Fairy Tale series, which is comprised of small but powerful, intimate pieces. There are several more unique installation discoveries in the gallery, but I won't spoil it for you! Come see for yourself.

If you can't make it during regular gallery hours during the day or this Friday, we'll be back on Friday, March 27, 6 - 9 p.m. and, of course, for the closing on April 2, 4 - 8 p.m. We hope to see you soon.
Fairy Tale Series and Red Series by Jill Milenski from Women in
Conversation
, February 28 - April 2. 

Installation of Wounded: What You Can Do For Your Country
by Gayle Pritchard with Lady, Not Liberty and We Are
Better Than This
by Gail Crum, a great pairing at
Women in Conversation, February 28 - April 2, 2020.




Thursday, February 27, 2020

Women in Conversation Offers an Intimate Look into Women's Experience of the World

Top row: artwork by Jill Milenski; Middle row: artwork by Gayle Pritchard;
Bottom row: artwork by Gail Crum

Our show Women in Conversation opens at the Stocker Center Gallery tomorrow night. We are so excited to see the installation. Gail Crum, Jill Milenski and I (Gayle Pritchard) first met years ago in my first Spirit Boxes, Sacred Vessels and Shrines class. The artwork was so amazing, we created an exhibition of the same name. Now, some twenty-five years later, this sisterhood of artists has created a new exhibition, our third in the past four years, and we seek again to offer a strikingly powerful view into how women see and experience life.

From the passage of the 19th Amendment a hundred years ago  giving women the right to vote  to the present day #MeToo era, we three artists celebrate woman's necessary role in society and the  importance of hearing steady, strong diverse female voices expressed through art. The urge to create is itself transformative and necessary, a balm for the soul. Women communicate differently about the gendered dimensions of their place in the world.
Fairy Tale Series: The Wolf at the Door, in progress. Artwork by Jill Milenski

In this groundbreaking exhibition, we raise our voices and speak through our work, a year in the making. Viewers are invited to be collaborators in completing the circle from the birth of an idea to the magical process of turning that idea into an art object that is put on display for all to engage with.

The pieces presented are inspired by daily life, the result of the way we, as women, skillfully and passionately navigate the multi-faceted roles we play: We are sisters, wives, mothers, aunts, daughters, grandmothers, soulmates, girfriends, caregivers, teachers, advocates, activists and artists.

Women in Conversation is the natural outgrowth of long-time artist friends who share a love of process and materials. The unbroken threads of decades-long conversations about our lives,our families, politics, women's issues, art, and techniques are woven into the work we are exhibiting. The show is a unique opportunity to share a piece of what brings us together as women and artists: the vulnerability, the intimacy that arises from telling our stories in our conversations with each other and through our artwork.
Saturday Night (Record Series) by Gail Crum
Along with the shared narrative, we also often share art supplies and found materials unearthed in junk and antiques stores. We share a love of process, of making something from nothing, or trying out new tools and birthing new visions in our note- and sketch-filled journals. We love laughing at the persistent compulsions that are the never-ending subjects of the objects we create. We share processes and favorite techniques with each other, simply playing and exploring ideas while we stretch to make new work that is out of our usual comfort zone. We nurture each other through our sharing and our play-days.
A box of ephemera ready to
be added to an artwork

We love color, old books and postcards, broken objects, paper dolls, fabric, and time-worn wooden blocks. We peruse junk shops, where intuitively gathered new treasures await our artists' mojo  that magical moment when the discarded trinkets and trash of everyday life are transformed. These snippets, pieces and parts are paired with process to become objects that carry the stories of our ideas.

We invite you to join in this living conversation about women, art and community. The chance to show our work and have this conversation is nurturing and necessary. It's a supportive, feminine thing we do together. We raise our voices to speak through our work. We hope you are moved, amused and inspired. Above all, we hope to see you there.

Women in Conversation
 · Where:
Stocker Art Center1005 N. Abbe Rd., Elyria, OH 44035
· When:
Friday February 28, 4 – 7 p.m.: Opening reception, refreshments, Scavenger Hunt, live music and gallery talk at 6:30 p.m.
- Wednesday, March 4, 6 - 7 p.m.: 'Make and Take' with the artists before the play, Ain't I a Woman?
Friday March 6, 6 - 7:30 p.m.: Visit the gallery before the Winter Film Series
Friday, March 27, 6 - 7:30 p.m. | Visit the gallery before the Winter Film Series
Thursday April 2,  4 - 7 p.m. | Closing reception, refreshments, Scavenger Hunt, live music and gallery talk at 6:30 p.m.
TBA Other events celebrating Women's History Month and the centennial anniversary of the passage of the 19th Amendment

Detail of Travel Ban by Gayle Pritchard and
utilizing an altered Handkerchief Memory Project printed by
Clare Murray Adams








Saturday, February 8, 2020

Women in Conversation: Two Weeks and Counting

Postcard Invitation for Women in Conversation, which opens
February 28, 2020 and features the artwork of Gail Crum,
Jill Milenski and Gayle Pritchard
In exactly two weeks, Gail, Jill and I will be delivering our artwork to the Beth K. Stocker Gallery for installation. Perhaps you can imagine, then, the frenzy of finishing we are all doing in final preparation for this major exhibition.

Yesterday, I created a "two weeks and counting" task list in my journal. It took up three pages! When I woke up this morning, I started in: I finished two house drawings from my ongoing series, which included framing them both and wiring them both for hanging, and that involved drilling holes with a very fine drill bit to insert hanging hardware on the tiny frames. Afterwards, I finished drawing a third house, which will be mounted. That's on the list for completion tomorrow. Ditto the "wire for hanging," always tricky when working with found objects. 

House Drawing #5 by Gayle Pritchard
Oil pastel on water color painting
Stay with me here. I found two large pieces of wood on bulk trash day, and they were beauties, old cupboard doors beautifully aged and unpainted. After removing the nice brass hinges (saved for another day), I used one entire door for a single piece, which is also on the task list for final assembly. The other door was just the right size to fit two of my mixed media collages, but it needed to be cut in two. I have a little miter saw in my garage, but nothing to cut this board. It sat behind my garage for about six months, even though the art was finished. Just this week, a friend with a portable saw stopped by, took ten minutes to measure and saw the wood, and hurrah!, I am in business. One of those pieces, called Bingo: Only in America Can Your Dreams Come True, is what I worked on finishing this afternoon. 
The beginning parts and pieces for Bingo. 
Yes, these are the things that inspire me: found
photos to be altered, an old box top, a bingo
game board and a drawing that is stamped
and ready to be stitched. 
The collage is done, but it needs to be mounted onto the cut wood. I decided I wanted to paint it first, so I grabbed my trusty Jacquard Neopaque fabric paints for the job. Why fabric paints? I wanted the wood grain to show through, but for that, I could have also used a wood stain. I use my fabric paints all the time because: a) I already have them, which saves me a trip to the hardware store and, b) they seal wood differently than stain, which needs to have a finish put onto it. This way, the paper on the attached collage will be more protected. Here's how the painting came out:

Look how pretty it looks!
 It adds the color I need, allows the wood grain
to show through, 
and seals the wood. 
After it dries, but before I attach the collage, I am adding framing strips which will be painted this black on the side and red on the edge. The collage has some dimension to it, and the framing strips will help protect it. 

Guess what I will be doing tomorrow?
Come to the show if you get a chance. With nearly 100 artworks, it is going to be fantastic. See the Events page on my blog for more information.


Monday, June 3, 2019

Target is March 2020

Target Family in progress, by Gayle Pritchard

2020 is coming. This is exciting to me for a variety of reasons: a new presidential election, the centennial of the passage of the 19th Amendment (look it up, please, if you do not know what that is!), and a new exhibition scheduled for March 2020 with my art group: me (Gayle Pritchard), Gail Crum and Jill Milenski at the fabulous Beth K. Stocker Center Gallery.

My art group tries to meet once a week. We have been doing so for years now. We sip wine, catch up with each other, plan play-days and art-related outings, and, all the while, we work on whatever it is we are working on. When one of us is exhibiting in one of the many juried exhibitions around town, we all try to attend the opening. This type of support is so important, not only for the professional reasons you can imagine, but for the emotional support and the safe creative environment it provides.

A drawing play-day at Jill's
Meeting every week provides an incentive to keep working. While it is perfectly okay if you had a hectic week full of distractions or family obligations or illness and got nothing done, we all really want to have something to work on each week, or something to show that we have finished. It's absolutely exhilarating.

Jill and I, both writers as well as artists, recently took part in a one day writing workshop sponsored by our local library system, The 36th annual Western Reserve Writing Conference. Here we found yet another iteration of the creative community in our Northeast Ohio region. We spend the day with like-minded people seeking ways to improve our craft. I am so grateful to be surrounded by creativity virtually everywhere I go. Writing and talking about the writing process is just another way of expressing that fundamental need to express.

All of which now takes me back to my target: March 2020, the next exhibition, the next body of work, the next chance to interact with my audience, and another giant block of time to work on my art with focus.



Sunday, June 24, 2012

Love Voodoo

One of my artworks from the exhibition In Their Own Right, Love Voodoo, sold at the opening.
Love Voodoo by Gayle Pritchard, on exhibit at In Their Own Right
As requested, here are some more detailed images of the artwork.




Stop by to see the exhibit, which is on view until July 28th. Summer gallery hours are Monday, Wednesday and Friday, 1 - 4 p.m. Hope to see you there!

Sunday, June 17, 2012

A Unique Exhibition


In Their Own Right, opening night. Several of my artworks are in the background.
Last night was the opening of a  summer exhibition at The Beth K. Stocker Art Center. This fiber exhibition, In Their Own Right, presents the work of the four women who have curated The Artist as Quiltmaker exhibition: Ricky Clark, (the founder), Sue Copeland Jones, Ruta Butkus Marino, (the currt curator), and me, Gayle Pritchard.


Sue Copeland Jones, Ruta Butkus Marino and Gayle Pritchard at the
opening of In Their Own Right. My work is in the background on either side
one of Ruta's pieces, the lovely blue composition in the center.

The exhibit presents a wide range of styles, and includes artwork created over a period of twenty years or more. Surprisingly, the broad range of work fits together fabulously, creating a resoundingly beautiful visual experience. Though not intended to be a retrospective, I will tell you from an artist's perspective, it is really fun to be able to show work from various stages of your career. It allows the viewer to get to know you a bit better, and to see your work in a new context. Luckily, I was able to borrow some of my artwork from the owners to include in the show.

On loan from the owner, this piece is Masks II: The Joybringer. It was fun to
see it again, and to be able to hang it for In Their Own Right. On the pedestal
to the left is my assemblage, Love Voodoo, which sold at the opening.
Ricky's Amish-style house quilt is in the background.

All the artwork fits together so beautifully, as here: Sue's work at far left and right
(far right is April Harvest beside Tuesday Dreamings), and Ruta's amusing
piece, Birth of Bob, on the left
Ruta's work, Grandifloragargantua, greets visitors to the gallery.
If you're visiting the North Coast this summer, please stop by In Their Own Right, The Artist as Quiltmaker XV, or any of the other many related exhibits and events. For all details, please click on this QuiltConnection link.

Monday, July 20, 2009

Hearing Voices

Last year, I was part of a small group show with my local artist group, affectionately known as "the tArts." The show was held at the lovely and spacious Stocker Gallery at Lorain County Community College.

The tArts in the 2008 configuration: Christy Gray, Tina Rossi, Gayle Pritchard, Christine Mauersberger, Lois Carroll, Susanne Gregg, Jill Milenski, Susan Shie, at the opening of Flavors of Fiber in 2008.

One of the pieces I made for the show, I Hear Voices, was inspired by a song my husband wrote, Simon Says. It's a fairly large piece, given the work I have created in the past years, and attempts to tell the story in fabric. The installation image of the piece doesn't quite do it justice, because of my limited photography skills.
I Hear Voices in My Head by Gayle Pritchard, 2008.

All of this is to give a little background to the video I have posted to my blog. My husband, Chris, who has been a musician all of his life, also happens to be the most creative human being I know. Today, he made a video integrating the song, his photography and my art piece. I hope you will enjoy it.